Follow My New Blog

I've started a new blog. Follow my crafting adventures on creativeirony.com.

Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

Thursday, December 03, 2009

Hey, it's book review time again

Three more books I've polished off lately. Still have a delicious library pile by my bed. Must resist until I finish school for the day.

The Host by Stephenie Meyer

Genre: Science Fiction

Very brief summary: Earth has been taken over by alien invaders, which are implanted into human bodies where they take over the brains and bodies of their hosts. Wanderer comes to earth, taking the body of Melanie, who almost died trying to escape capture. As she comes to live in her new body, she realizes that Melanie hasn’t been overcome like the usual host, and Wanderer can hear her in her mind still. She is haunted by Melanie’s old life and loves.

How I heard about it: Well, considering my Twilight obsession, I was sure to find out about any new Stephenie Meyer book.

Where I got the book: I bought it when it came out, or rather David bought it for me. This was my second time through.

What I found most gripping: I have to say that while Stephenie Meyer is not the best writer, she knows how to hold my attention. About 100 pages into the book, I can’t put it down. I love her character development—each one is so distinct and clear. She manages to make each character sympathetic and likeable. She also handles suspense with dexterity and she draws me in. Also, I’m a sucker for a good love triangle.

Any negatives: Hummm, it does take a while to get started. Also, there are a few awkwardly written bits here and there, but overall, a very enjoyable read. It’s got more substance thematically than the Twilight series, but this still isn’t high literature. Despite that, I find Stephenie Meyer knows human nature, which is clearly highlighted in this book. I have one more pet peeve and that is that the other worlds that Wanderer has lived on feel artificial and not very plausible, but maybe it’s just my narrow imagination at work.

Readability: Very high. Another one I finished in less than 24 hours. I would say 4/5 stars.

The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece by Edward Dolnick

Genre: Non-Fiction

Very brief summary: Edvard Munch’s The Scream was stolen on the eve of the Winter Olympic Games in Norway, by two thieves who put a ladder up to an outside wall, smashed the window and nabbed the painting. This is the story of how one Scotland Yard undercover agent tries to get it back.

How I heard about it: A reading thread from twopeasinabucket.com.

Where I got the book: The library.

What I found most gripping: I’ve heard about the theft of great art, so I was very interested to learn more about that and Dolnick does a fantastic job of painting the characters—both the thieves who steal great works of art and the people who catch them, particularly Charley Hill, ex-soldier, adrenaline-junkie, fast-talking undercover cop.

Any negatives: There are a few points when the author sort of rambles on describing Charley, but they don’t last too long and most of it is tight and highly interesting.

Readability: High. Exciting and appealing. Someday I’ll have to review a book I didn’t like. I give this 4/5 stars.

The Lace Reader by Brunonia Barry

Genre: Fiction

Very brief summary: Towner comes from a family gifted with the 2nd sight, but Towner has fled her Salem roots for California and hasn’t been home in 15 years. When her great-aunt dies, she returns home for the funeral and is faced with her past.

How I heard about it: Reading list on twopeasinabucket.com.

Where I got the book: Library

What I found most gripping: Towner is an unreliable narrator and unraveling her story was an interesting journey. I didn’t really get pulled into the book until the last half. On the plus side, there is some stunning imagery and a lot of symbolic meaning, which is highly developed. The prose is quite beautiful at times.

Any negatives: It didn’t grab me at first. A lot of the novel is told backwards, with details from the past revealing as you go. This annoys me most of the time. If you want to tell me something, just tell me. Don’t hint. But ultimately, that is the brilliance of this book.

Readability: Medium to high. I would give it 4/5 stars for literary quality, but only 3/5 for keeping my interest and making me care about the characters. There is a lot of exposition that happens in the first 10 pages and it didn’t draw me in. Around page 15, I started to kind of care and it developed from there.

I've started a new blog: Come follow my crafting adventures on my new blog. Find me at: creativeirony.com.

Saturday, October 24, 2009

Why I'm now hoarse from reading aloud. . .

Yesterday, my English paper was due. It was a group paper--something I've never done before. There were a few hiccups along the way, but I am so dang proud of this! I've always been terrified of writing this type of paper, but it turned into a beautiful experience and has cemented my commitment to read to my children. I hate to admit this, but I've always disliked reading aloud. I'm a natural speed reader and I hate to slow down, but I've convinced myself through writing this paper that important. And my children have really responded. Reading to them now is a joy! Also, as a side effect, I have a crush on Mem Fox.

I loved my group members. There were four of us--all with at small children and at least two children. We all had a similar ideas on the direction of our paper and with such a vested interest, we each had a strong commitment to the ideas in our paper.

I'm sharing my section (four pages on reading aloud). We really could have filled all 16 pages with this subject, but here's as much depth as I could cover in four pages. Other sections of the paper included: going to the library, drawing as a tool to teach literacy, teaching phonics verses whole words and programs to help parents. Our thesis was basically that early exposure provided by parents is the ideal environment for children to gain literary skills.

I would love to hear some of your personal experiences, if you make it to the end of the paper and can see where to post a comment. If you find any typos, please don't tell me.

Reading Aloud

As a toddler, Kara, one of the contributing authors of this paper, pestered and begged her mother to read aloud to her. Kara’s family did not own a television. Instead, Kara developed a love of books. She loved the language, the sounds, the pictures, the rich emotional stories, and the way she felt loved when her mother read to her. Growing a bit weary of the persistent badgering, one day her mother decided to put aside her chores and read to Kara until Kara was sick of it. She was determined to finally satisfy Kara’s desire for books. Two hours later, Kara’s mother gave up. She had (rightly) decided that her daughter was never going to be satisfied. By reading aloud she had ignited in her daughter a love of literature and had set the groundwork for a life-long love of reading. Such an achievement is important in each child’s educational life, and is imperative for helping every child succeed in every area of education.

The most essential activity that parents can do to help children gain emergent literary skills is reading aloud together (National Institute for Literacy). In understanding the importance of reading aloud, parents may ask why is it important, why are parents so critical in the process, and what can parents do to maximize the use of the time they spend.

First, in order to read aloud at home, parents and children need access to books. While libraries can support parents by offering a great variety of books, the importance of owning books cannot be overstated. Jeff McQuillan’s book, The Literacy Crisis: False Claims, Real Solutions, which examines 275 literary studies, concludes:

The only behavior measure that correlates significantly with reading scores is the number of books in the home. . . .The availability of books to read – and the subsequent amount of reading done, appears to be as critical, and certainly not less so, in determining success in reading as the classroom instructional methods.

McQuillan maintains that owning books is more important than the style of teaching or any other of the myriad of variables in each child’s educational experience. In addition, as McQuillan points out, it can be very difficult to read when there is no reading material available.

In addition to having book available to them, children also benefit from the pride of book ownership. Mem Fox, a university professor who educates language arts teachers and an author of over 30 children’s books, describes the importance of book ownership:

[An] essential factor in the making of eager, competent readers is that the children have books, and bookshelves of their own so that favourite books can be owned and read over and over again. Ownership is important. I know of a child who read a particular favourite book until it was in tatters. His parents replaced it not once, but three times. Being able to own, and therefore able to re-read the book for years made that child into a reader.

Without the support and commitment of parents, children have little chance of having their own books and living in a literary environment. Parents can purchase books or suggest them as birthday and holiday gifts from relatives and friends. If that is not feasible, there are many programs, such as the Ferst Foundation for Childhood Literacy, discussed at the end of this paper, which will help parents and children obtain books for their home.

Once children have access to books, parents need to read to their children. Reading with children is vital because it helps them “learn new words, learn more about the world, learn about written language and see the connection between words that are spoken and words that are written” (National Institute for Literacy). These are all skills that are vital for literacy and build a foundation for learning in school and beyond.

Children start building vocabulary and grammatical structure by hearing speech, but conversational speaking can only take children so far in this learning process. The next step is hearing books read aloud because it “exposes children to grammatical forms of written language and displays literate discourse rules for them in ways that conversation typically does not” (Bus, van Ijzendoorn and Pellegrini 2). Without frequent and quality exposure to books, children cannot gain knowledge of language beyond that which is spoken in day to day life. Parents are critical in beginning this process of learning, since they are there from the moment of birth, ready to begin loving, teaching, and reading to their children.

Perhaps the key ingredient in fostering literature is developing a love for books through association. As Mem Fox explains, children from a warm literary environment are:

Caught up in a bookish world. At bedtime, they are warm and safe with a big, loving, protective parent beside the bed reading them stories night after night. In the daytime, they squeeze onto a comforting lap and in the security of a parent’s loving warmth listen to all manner of horrors and joys coming out of books. The relationship between parent and child during the stories is one of warmth and love, which makes the child associate books with warmth and love and pleasure and security. How attractive books become! (Fox 100).

Studies have been done that prove she is quite right. Andrea Bus and Marinus van Ijzendoorn in particular did several studies that demonstrated that if the parent and child do not already have a firm attachment that the pleasure of reading a book out loud is low. If that is the case, then it can actually harm literacy skills (Bus and van Ijzendoorn 988). Purely reading aloud with no interaction and no “warmth and love” does not make readers. Parents need to read to their children, but making it a positive experience is paramount to creating achievement in literacy (Bus and van Ijzendoorn 1009).

Assuming that the parent and child relationship is secure and healthy, parents should start early to make the most of their reading aloud time. Babies love the rhythms, repetitions and cadences of language. Even though they may not understand the words (and indeed, many nursery rhymes and lullabies are nonsensical), they will respond to the sounds, building a foundation for later growth. Reading to infants does not always feel rewarding for parents, and too few start early (de Groot and Bus). Indeed, I. de Groot and Andrea Bus found that reading to infants may be the key factor in showing the family’s commitment and passion for literature, and in establishing a literary family culture (de Groot and Bus).

Touch is another important tool. Research shows that when children are touched, they form firmer attachments, stress decreases and it is easier for them to learn (Leo). Reading sessions can start with snuggling or the child can sit on the parent’s lap. Because touching is not accepted in most school settings, it is all the more important for parents to provide this in their home environment.

Talking about what has been read is also a key point in developing understanding and in advancing literacy skills. Research done by Isabel Beck and Margaret G. McKeown suggests that asking questions, particularly “generic probes that prompt [children] to explain ,” such as “What’s that all about?” or “What’s that mean?”, helps children give answers that expound beyond one word. Beck and McKeown also suggest that “when children had difficulty responding to a probe, it was useful to reread the relevant portion of the text and repeat the initial question” (Beck and McKeown 16). This type of discussion will help children make connections and construct meaning. Of course, as was demonstrated earlier, it is important to not get frustrated and to make this as pleasant and fun as possible.

And thus we come to the most important thing parents can do while reading to their child—get excited! Parents should not read things they don’t find interesting. They need to read with passion, enthusiasm and drama (Fox). Jim Trelease points out that reading too quickly is the most common mistake made by parents, and he advises to “read slowly enough for the child to build mental pictures of what he just heard you read. Slow down enough for the children to see the pictures in the book without feeling hurried.” Parents should keep in mind that how many books a child has been read or how many pages are read is utterly unimportant compared to basking in an atmosphere of learning, sharing and growing.


Works Cited

Beck, Isabel L. and Margaret G. McKeown. "Text Talk: Capturing the Benefits of Read-Aloud Experiences for Young Children." The Reading Teacher 55.1 (2001): 10-20. Web.

Bus, Adriana G. “Attachment and Emergent literacy.” International Journal of Educational Research 19 (1993): 573-581. Web.

Bus, Adriana G. and Marinus H. van Ijzendoorn. ”Mothers Reading to Their 3-Year-Olds: The Role of Mother-Child Attachment Security in Becoming Literate.” Reading Research Quarterly Vol. 20, No. 4 (Oct-Now-Dec, 1996): 998-1015. Web.

Bus, Adriana G., Marinus H. van Ijzendoorn and Anthony D. Pellegrini. “Joint Book Reading Makes for Success in Learning to Read: A Meta-Analysis on Intergenerational Transmission of Literacy.” Review of Educational Research Vol. 65, No. 1 (Spring, 1995): 1-21. Web.

De Groot, I., and Bus, Adriana G. Book-fun for Babies: Final Report on a Project to Stimulate Emergent Literacy. Leiden/The hague: Leiden University/SARDES. 1995. Web.

Fox, Mem. Radical Reflections. New York: Harcourt Brace & Company. 1994. Print.

Fox, Mem. “Ten Read Aloud Commandments.” Mem Fox. Oct 17, 2009. Web.

Leo, Pam. “Reach Out and Touch Someone: Massage in Schools.” Connection Parenting. Oct 17, 2009. Web.

McQuillan, Jeff. The Literacy Crisis: False Claims, Real Solutions. Portsmouth: Heinemann. 1998. Web.

National Institute for Literacy. (2003). A Child Becomes a Reader. 17 October 2009. Web.


I've started a new blog: Come follow my crafting adventures on my new blog. Find me at: creativeirony.com.